Playlist.

Luca D’Alberto, Nicole Mitchell, Matt Mitchell, The Necks, Merzbow, ‘Moana,’ and other striking sounds heard lately at Night After Night HQ.

Performance Review: Kate Soper, Ipsa Dixit

Soper presents a variable treatise on art and its available meanings, one as clever and sly as it is erudite and provocative. But instantly, the musical conversation – and as often as not it’s exactly that, given Soper’s demands on her instrumental accomplices to verbalize, to engage in theatrics, to deliver lines outright – suggests some nuances she clearly intended, along with others she surely could not have foreseen entirely.

Performance Review: Robert Ashley, Dust

Let’s begin bold: There surely will be no student undertaking of an operatic or music-theater work more significant than the new production of Robert Ashley’s 1999 opera Dust that the College of Performing Arts at the New School unveiled on February 2 in the school’s Ernst C. Stiefel Concert Hall.