Donnacha Dennehy, Julia Holter, Trio S, Gabriel Kahane, Jen Shyu, Dead & Company, and other striking sounds heard lately at Night After Night HQ.
Omar Souleyman, King Crimson, Miles Davis, Marc Barreca, Pep Llopis, Michele Mercure, and other striking sounds heard lately at Night After Night HQ.
Exaudi Vocal Ensemble, Jason Moran, Kate Carr, Roger Waters, Providence Research Ensemble, Bobby Previte, and other striking sounds heard lately at Night After Night HQ.
The less I say this time, the better – partly because I have so very, very little information available from which to cobble up some authoritative statement on the whys and wherefores of the three recent compositions from 2015 and 2016 by Jürg Frey included on this new CD, and partly because the music doesn’t really lend itself to analysis so much as inhabitation.
Jakub Hrůša, Keiji Haino, Anthony Braxton, Chaya Czernowin, Annika Socolofsky, Stefan Fraunberger, and other striking sounds heard lately at Night After Night HQ.
Memory is a tricky thing – one reason why critics often abstain from speaking in absolutes. You might witness a live event of seemingly ineffable magnitude. Yet assuming there’s no recording immediately available, no dispassionate document by which to check your instincts once the moment of initial contact cools and fades, who’s to say whether you overreacted?
Bill Rieflin, Jaimie Branch, Roscoe Mitchell, Ben Richter, Alice Coltrane, Threefifty, Erkki Kurenniemi, and other striking sounds heard lately at Night After Night HQ.
For all that his large-scale works have commanded the spotlight over the last decade or so, David Lang initially burst into the public eye and ear with pithy, concise, and clever chamber works… On ‘thorn,’ an appealing new CD by flutist Molly Barth, Lang’s puckish instrumental miniatures assume center stage.
Igor Levit, Aaron Dilloway, Zeal & Ardor, Vanessa Rossetto, Kara-Lis Coverdale, Félicia Atkinson, Daniel Corral, and other striking sounds heard lately at Night After Night HQ.
Everything that’s erased leaves its trace of its passage behind: a point as familiar to the manuscript recyclers of antiquity to modern-day digital data-recovery sleuths. Deletion rarely amounts to a positive thing, but on ‘erased de kooning,’ one of two recent recordings by Vanessa Rossetto, an act of bulk erasure results in an absorbing new piece surprisingly rich in ghostly associations.