The Iceland Symphony Orchestra, Michael Pisaro, Grant Evans, Motion Sickness of Time Travel, George Lewis, and other striking sounds heard lately at Night After Night HQ.
Wadada Leo Smith, the venerable trumpeter, composer, improviser, and bandleader who recently performed at National Sawdust alongside pianist Vijay Iyer, has just announced a new two-day celebration built around some of his most ambitious and profound works. The inaugural CREATE Festival is scheduled to take place on April 8 and 9, 2017, at Firehouse 12 in New Haven, CT.
Luca D’Alberto, Nicole Mitchell, Matt Mitchell, The Necks, Merzbow, ‘Moana,’ and other striking sounds heard lately at Night After Night HQ.
Víkingur Ólafsson, Syrinx, Tanner Porter, Chelsea McBride’s Socialist Night School, Dana Jessen, and other striking sounds heard lately at Night After Night HQ.
Exploring links between the visual arts and music is always a fascinating venture, and that’s certainly the case when examining the rich connections that brought together artists of myriad disciplines and persuasions in New York during the 1950s. This week, a new exhibition mining that fertile territory will open at the Hauser & Wirth gallery on the Upper East Side.
Kelly Moran, Nordic Affect, ACME, Morbid Angel, Linda Catlin Smith, and other stirring sounds playing lately at Night After Night HQ.
The Passionate Pilgrim, a new collaboration between composer-performer collective Oracle Hysterical and period-instruments ensemble New Vintage Baroque, is a fascinating Baroque-pop song cycle based on mostly debunked Shakespeare, coming soon on VIA Records and at National Sawdust January 21.
The Nels Cline Singers, Alex Cline Ensemble, Steve Lacy Trio, Craig Taborn, Mark Dresser Seven, and other stirring sounds playing lately at Night After Night HQ.
Kate Soper, a composer, vocalist, and core member of the composer/performer collective Wet Ink, has announced the New York City debut of her newest music-theater piece, IPSA DIXIT, coming to Dixon Place February 3 and 4.
A recording of Dirt Road, a gorgeous, austere 70-minute, 15-movement work by the Canadian composer Linda Catlin Smith on the label Another Timbre, landed on my year-end Best of 2016: Noteworthy Recordings list. Now, welcome news: In February 2017, Another Timbre will launch a Canadian Composers Series with a two-disc collection of works by Smith and four further volumes.