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Van der Graaf Generator, Linda Catlin Smith, Vanessa Rossetto, and other select sounds playing lately at Night After Night HQ.
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No lover of modern music and/or contemporary art can afford to miss A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s-1980s, a lively, illuminating, persuasive exhibition on view through Dec. 10 at New York University's Grey Art Gallery.
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Since we launched The Log Journal last week, we've posted a handful of reports from recent performing-arts events: three of them labeled "review," and two under the heading "response." What's the difference? That's a good question, and one I think we should address openly here for the sake of complete transparency.
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Welcome to Night After Night, since October 2005 a blog about conspicuous consumption of music, live and recorded, in New York City and points beyond – now rebooted and refreshed as a place for sharing on-the-fly responses to creative events, timely news items from throughout the musical world, and links to other items of interest on the web.