An occasional tally of memorable things Steve Smith has stuck in his ears lately.

Philip GlassPiano Works – Víkingur Ólafsson (Deutsche Grammophon; 2017)

Jean-Michel JarreOxygene Trilogy (Sony Legacy; due March 24, 2017)

SyrinxTumblers from the Vault (RVNG Intl.; 1970-72/2016)

Visible CloaksReassemblage (RVNG Intl.; due Feb. 17, 2017)

Steve LacyRCA Recordings 1965 (RCA; 2015)

Morbid AngelBlessed Are the Sick (Earache; 1991)

Myra MelfordSnowy Egret (Enja; 2015)

Matthew Shipp TrioPiano Song (Thirsty Ear; 2017)

RomansValere Aude (The Bunker New York; 2016)

Tanner PorterThe Summer Sinks (self-released; 2016)

Chelsea McBride’s Socialist Night SchoolThe Twilight Fall (Browntasauras; 2017)

Anton Bruckner – Symphony No. 8 in C minor – Berlin Philharmonic/Daniel Barenboim (Teldec; 1995)

Jon GibsonRelative Calm – Jon Gibson, Joseph Kubera, David Van Tieghem (New World; 2016)

Lee KonitzFrescalalto (Impulse!; due Feb. 24, 2017)

John KingFree Palestine – Secret Quartet (New World; due April 2017)

AsiaAsia (Geffen; 1982)

Philip Glass – Symphony No. 8 – Bruckner Orchestra Linz/Dennis Russell Davies (Orange Mountain Music; 2006)

Dana JessenCarve (Innova; 2016)
> Paula Matthusenof an implacable subtraction; Sam PlutaPoints Against Fields, tombeau de Bernard Parmegiani; Peter V. SvendsenFireflies in Winter; Kyle BruckmannCadenza & Degradations; Dana JessenCarve

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Further reading

Performance Review: Robert Ashley, Dust

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Let's begin bold: There surely will be no student undertaking of an operatic or music-theater work more significant than the new production of Robert Ashley's 1999 opera Dust that the College of Performing Arts at the New School unveiled on February 2 in the school's Ernst C. Stiefel Concert Hall.

Early Audition: ACME, Thrive on Routine

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Listen to an exclusive preview of a gorgeous John Luther Adams piece included on 'Thrive on Routine,' the forthcoming album by New York's much admired ensemble ACME on the consistently impressive audiophile label Sono Luminus.

Playlist.

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Víkingur Ólafsson, Syrinx, Tanner Porter, Chelsea McBride's Socialist Night School, Dana Jessen, and other striking sounds heard lately at Night After Night HQ.

Cage and Feldman – and more – at Hauser and Wirth

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Exploring links between the visual arts and music is always a fascinating venture, and that's certainly the case when examining the rich connections that brought together artists of myriad disciplines and persuasions in New York during the 1950s. This week, a new exhibition mining that fertile territory will open at the Hauser & Wirth gallery on the Upper East Side.